01 / 03

Black & White

Form, stripped of colour.

A continuing inquiry into form stripped of colour. Each frame is an attempt to find the one tone that holds the whole picture together — the silver in steam over a kitchen pot, the deep field of a metro platform at speed.

2 FRAMES · 2023 — 2026 · TAIPEI

A cook in a white tank top stirring large pots in a kitchen filled with steam.

The cook, in steam

35MM · Ƒ 2

WULIÁNBÀ, TAIPEI

A Taipei metro train passing the platform in motion blur.

Metro, passing through

35MM · Ƒ 1.4

TAIPEI

02 / 03

Shadows

What the light leaves behind.

Photographs made in the half-second before a room is read. The series leans into underexposure and the dignity of low light — Taipei after midnight, the kitchen line of a night-market stall, a billboard going dark.

6 FRAMES · 2023 — 2026 · TAIPEI

Pedestrians crossing a Taipei intersection late at night, headlights flaring.

S·01

Crossing, after midnight

50MM · Ƒ 2

XIMENDING

Apartment balconies at dusk with the last orange light reflected in upper windows.

S·02

Balconies, last light

85MM · Ƒ 2.8

APARTMENT BLOCK

A figure in a long coat and motorcycle helmet standing in a steam-filled night-market kitchen.

S·03

Helmet on, in the kitchen

35MM · Ƒ 2

NIGHT-MARKET STALL

A large game-release billboard on a Ximending facade.

S·04

Origin, billboard

24MM · Ƒ 4

XIMENDING

An orange local train arriving on the Pingxi line as visitors raise their phones.

S·05

Pingxi, the slow train

35MM · Ƒ 2

PINGXI LINE

A scooter rider waiting under a red neon sign on wet Taipei pavement.

S·06

Scooter, after rain

35MM · Ƒ 2

LONGZHOU

03 / 03

Automotive

Cars as objects of devotion.

Cars as objects of devotion. Mid-engine modern hardware photographed in the parking deck and the side-lot light, set against the analog dignity of a classic Mini holding a Taipei kerb. The line of a fender, the geometry of a carbon splitter, the patina of forty years of street use — all read as the same kind of love.

4 FRAMES · 2022 — 2026 · ATLANTA · TAIPEI